Sonic Studies

Recorded explorations in rhythm, structure, and sonic storytelling.

These mixes document moments of experimentation within the Big Cat Energy project — short studies, longer journeys, and fragments captured during the ongoing Tiger Experiment.

2026, March 9th

Deep House Exploration | Experiment 001 — 15 min

Big Cat Energy — a sonic archive of lived experience.

This recording was captured during a short studio exploration while experimenting with modular 15–30 minute mix structures. In this mix I experiment with noise effects, looping to build tension, and echo or spiral effects for tension and release. I also deck-doubled tracks at points to layer percussion and create builds, and in the outro to fade the recording to its conclusion.

These mixes document moments of exploration through deep and melodic house electronic rhythms. Rather than polished performances, they function as fleeting moments of the Big Cat Energy journey captured on recording — experiments, stories, and long-form journeys through sound.

Music communicates through phrases, much like language. Each mix is a small transmission of a lived moment. Reflecting upon this mix has taught me a lot about how I process musical 'language'. This has revealed to me an emerging melodic genre preference and an artistic style which naturally leans toward storytelling. I am excited to continue exploring this and appreciate any and all who choose to follow my journey.

Length: approximately 15 minutes.

2026, March 17

Afro House Expression — within Big Cat Energy 🐅

This expression exists within the broader Big Cat Energy framework, functioning as an artistic and experiential lens rather than a brand or product.

It lives in a rhythm-forward, melodic space—intersecting with Afro House and global groove-driven sounds.

The focus is not on drops or peak moments, but on sustained movement, layered percussion, and immersive flow.

Sets unfold steadily and with intention, designed to be felt in the body as much as the mind.

Within this space, the Leopard and Jaguar archetypes are most present 🐆

Leopard holds the foundation—fluid, precise, and adaptive. Movement follows the groove rather than imposing upon it. Transitions are controlled and unforced, allowing continuity to remain intact. Jaguar introduces depth. A quieter presence. A grounded, nocturnal quality that emerges through space, restraint, and immersion rather than emphasis. At times, Lion energy may surface in more vocal or uplifting moments, but it does not define the overall tone 🦁

The result is a sound that is rhythmic, hypnotic, and embodied. It invites connection—internally and collectively—through presence, participation, and shared experience, without relying on intensity, spectacle, or the extraction of attention.

This expression is grounded in a broader way of moving through the world—one that values authenticity, consent, and non-transactional connection. This is not about branding or ownership. It is about creating and holding a shared state 🤝💜

Track Credits:

Yamore by MoBlack → My Love for You (Yebba’s Heartbreak) by Marten Lou

Big Cat Energy 🐯

Enter: Snow Leopard 🤍🐆

A short mix shaped through the Big Cat Energy “Snow Leopard” motif, with a progressive-leaning melodic house & techno edge.

This recording reflects a direction I’ve been growing into more intentionally: patient layering, emotional continuity, and the shaping of a single extended atmosphere rather than simple, linear track-to-track progression.

Like the elusive and hauntingly beautiful Snow Leopard, the sonic movement here dips into and out of each track in a complementary way rather than connecting them head to tail. Toyger calls to Tell Me, and Tell Me responds — waiting for Toyger to say its piece before carrying the story forward.

With tracks like Toyger (Mees Salomé Remix) into Tell Me, and an intro sample from Reminiscing by Nora En Pure, I’ve been exploring how spacious, hypnotic, gradually evolving soundscapes invite a different kind of mixing approach — less abrupt transition and more sculpted environment.

This mix feels heavy with emotion and atmosphere in a way that landed deeply for me. Relistening to it felt cathartic, joyous, and validating — like hearing something true and resonant in my own artistic language of self-expression becoming clearer through sound. I feel like I am seeing my reflection in the mirror: a reflection of who I am, who I am becoming, and who I may have always been, even before I had the knowledge and skillsets to communicate it.

This work is part of an ongoing evolution in taste, structure, and aesthetic choice.

Thank you for bearing witness to this journey.

BCE 🐆

Track credits:

Intro sample from “Reminiscing” — Nora En Pure

Toyger (Mees Salomé Remix) — Olivier Weiter, Mees Salomé

Tell Me — Familiar Faces

2026, April 4

This set lives in the space of becoming.

It is not necessarily part of a defined motif project like Loud Lion, Snow Leopard, or I Am Tiger, and that is okay. Some work lands clearly inside a named archetype. Some work belongs to the archive of growth in motion. This one feels like an experiment, a refinement study, and a document of development as I continue shaping my voice as a DJ and artist.

The set was built through a gradual BPM rise, using harmonic compatibility and shared key relationships to create smoothness, continuity, and a natural forward motion. That gave the mix cohesion and helped it move cleanly from track to track, but it also revealed an important learning edge for me.

One of the clearest lessons from this recording is that BPM rise alone can create momentum, but harmonic consistency can sometimes make the emotional landscape feel less diverse than I want. Staying in one key gave the set blend quality, hypnosis, and continuity, but it may also have limited the degree of variation, contrast, and harmonic storytelling I was looking for. The set still moves forward, and it still works, but I can hear places where more movement through adjacent compatible keys might have created a stronger sense of contour and progression.

That feels like an important takeaway. Same-key sequencing can be beautiful for coherence, but adjacent-key movement may be more effective when I want a set to feel like it is evolving not just in tempo, but in emotional color and perspective as well.

So this mix stands as both a finished piece and a learning document. It reflects experimentation with progression, harmonic structure, and energy shaping, while also clarifying something about my process: smoothness and variation are not the same thing, and part of my growth is learning when to prioritize continuity and when to invite more contrast.

This set may not resolve into one of my more specifically defined projects, but it still matters. It belongs to the larger archive of becoming — the ongoing process through which my taste, instincts, structure, and artistic language continue to take shape through sound.

And most importantly, I had fun making it 🐅

Track credits:

Over Jou (Extended Mix) — Feyln

Bloom Again — Nu Aspect

Breaking Point — Rebel Of Sleep, Jack Willard

Could You Be Loved (with LP Giobbi) — Bob Marley & The Wailers, LP Giobbi

Bansuri — fwd/slash

Just Be — Ønawa

KFIL — Estiva

Terminal Feeling — Kasablanca

Expanse — Dezza, Kolonie

Mother (Cover) — Madeaux

Tell Me Why (MEDUZA Remix) — Supermode, MEDUZA

Let’s Ride Away (feat. Elle King) [MEDUZA For Tim Edit] — Avicii, MEDUZA, Elle King

Off The Wall — Chris Giuliano

I Remember — deadmau5, Kaskade