SYMBOL

Visual language emerging within The Tiger Experiment.

This section explores the symbols, images, and visual forms that arise from the ongoing process of the experiment — fragments of iconography, digital compositions, and symbolic motifs that begin to give shape to the project’s internal mythology.

These works are not presented as finished pieces or conventional artworks. They are documentation of visual language in formation — moments where ideas, identity, and archetype begin to take visible form.

Within The Tiger Experiment, symbols function as a bridge between inner experience and shared meaning — a way for concepts, instincts, and narratives to become visible.

2026, January

Original concept art for the “I Am Tiger” project cover artwork.

AI generated inspiration for some of my sketch work pieces. Here I collaborate with AI to provide me with ideas for an art piece that I intend to sketch.

BCE logo art

2026, January

‘The eleven Principles’ – Tiger (BCE)

Originally created in December 2025, this drawing represents a living framework that has emerged through reflection, community, and lived experience.

At the foundation are the roots labeled Consent, which serve as the grounding Principle from which all others grow. In this framework, Consent serves as the foundation that allows the other Principles to function ethically and sustainably. .

Within The Tiger Experiment, this image represents a simple idea: culture grows from the values we choose to embody.

“Culture grows where values are lived.”

2026, January
‘We Are One’ - BCE

Created January 11, 2026

This reflection is preserved as part of the evolving timeline of The Tiger Experiment and remains close to the voice and meaning it held when it was first written.

The eyes and some of the facial features of a tiger-like big cat can be spotted in the top right corner. As the face of the big cat tapers to the nose, there begins to be a shift in the familiarity of a big cat face to the shape of a brown paw print. This paw print has circular toe bean prints with green leafy plant-like extensions coming from the tips of each toe bean. These green leafy plant-like extensions come off the toes in the shape of curved claws, much like one might associate with the claws of a big cat. The contrast of the brown paw print and the green leafy claw-like extensions is representative of the Earth and trees that make up our ecosystem. The brown paw pad is the point of contact with the ground, a reminder of our inescapable connection with our planet. There are also yellow rays radiating outward from the paw prints, which gives the impression of life-giving sunlight. The backdrop to all of this is a blue background that gives the relaxing feeling of a calm, blue sky. The feline creature is connected with all other life on the planet, and that life is connected to it.

We arise from the Earth and we will return to the Earth. Creating meaning along the way is so core to my beliefs in life. I am constantly in awe of the beauty in our world and within human beings. For all the bad, there is so much potential for good.

Appreciating the impermanence of life and consciousness as we know it is the key to true acceptance. True acceptance is what ultimately brings true security for Self. The big cat imagery is resonant with the meaning I create for myself as I continue to learn how to welcome and appreciate this life I have been given by my mother, father, and all those who have come before me.

2026, February

2026, March

BCE logo art for announcements and events

2026, March

‘I Was Here’ - Tiger (BCE)

A tree sits upon the slope of a grassy hill. The emptiness of the negative space to the right of the tree is intended to give room for the scratch marks to breathe and an invitation for the viewer’s attention to drift naturally to the claw marks on the tree trunk. Our existence is fleeting. We reach for immortality by leaving our mark on the world. Much like a Tiger might leave its mark on a tree, saying “I Was Here”. What mark, if any, do you want to leave on our world?

2026, March

Untitled Work - BCE

Experimenting with directionality of pencil strokes.

2026, April

‘I Am Here’ - BCE

This drawing began with an idea sparked by seeing how AI combined two of my earlier drawings. That unexpected synthesis inspired me to attempt a freehand drawing of a tiger.

Where "I Was Here" tells a visual story of lingering presence, "I Am Here" reflects an emerging appreciation for the natural world and my place within it. "I Am Here" comes from a period of exploring what it means to be more fully present in my lived experience.

In "I Am Here", the image is no longer centered on a trace of what was, or what has been left behind. Instead, it becomes an emergence of self-awareness and a pursuit of the present Now.

The tiger face holds personal identity, but that identity does not exist in isolation. It is intertwined with the concurrent existence of other life within the world I inhabit. The tree anchors the composition, while its roots connect different forms of life into a shared whole.

What was once a lingering claw mark on a tree, a sign of past presence, has become part of the larger picture. The moments of the past intersect with the living immediacy of the current Now.

‘See Me’

An ongoing visual study within the "I Am Tiger" project, "See Me" is a growing collection of symbolic depictions exploring Self, visibility, and recognition as part of The Tiger Experiment.

2026, April

2026, June

2026, July

Progression of works from the ongoing ‘See Me’ visual study within the "I Am Tiger" project, "See Me”

"Hope and Acceptance"

Created July 28, 2026

This piece is an outlet for a lot of grief, old and new, as well as personal identity, hope, and acceptance.

Purple and pink are my favorite colors, and they became part of the emotional language of the piece. It holds pain and sadness around a lost connection, but also hope after reconnection.

It also carries grief around the anticipation of losing a loved one soon. There is nothing I can do about that except be present now, in the finite amount of time I have left with them.

Hope is what keeps us going. In this case, it is the hope I carry in myself and the knowledge that despite life’s hardships, there is beauty in the struggle and beauty in the meaning we create for ourselves through them.

If anyone knew about creating meaning, it was Viktor Frankl. His work reminds us that meaning can help us endure suffering, and that we can still create meaningful experiences for ourselves in the face of great suffering.

Happiness is there. It always has been, because I have never lost hope in myself or in the beauty of life. Especially now, as I allow myself to feel what it means to be alive through the tears of catharsis.

Embracing the parts that hurt means accepting all of me, even the parts that yearn to grieve. That is self-acceptance. And through it all, I still have hope.

I am Tiger.

This is how I create my meaning.

My acceptance sets me free 🐅💜